© » KADIST
Camel Collective
Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects. To construct a future scenario in the imagination of the viewers, a voiceover narrates two perspectives of futuristic practices in architecture and social behaviors: neo-primitives on one hand, who value organic materials and design based on geometric forms, and futurists on the other hand, who value organic forms and computer design. In this constructed universe, both perspectives lead to societal structures that malfunction due to issues with their design, which are not in line with their users’ needs.
© » KADIST
Camel Collective
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound. In both works, the 36 minute video depicts a narrative taking place outside of a live theater performance in the form of monologues that moves between the production and technical crew. There is a set of three different characters—a lighting technician, a lighting designer, and a professor all played by the same actress who share in their personal experiences and attitudes the precariousness of their work, the problems and myths of collaboration, and the obsolescence of theatrical technology.
© » KADIST
Reyes Santiago Rojas
The work Sarta (String) by Reyes Santiago Roja is part of a larger series of works that examine the commercialization of the tobacco plant and its relationship to the meaning and use of tobacco by Native American tribes such as the Mayas, Aztecs, Incas or Tainos, which attributed spiritual qualities to tobacco such as the smoke carrying one’s thoughts and prayers to the sprits. In this work the artist studied the forms of tobacco leaves native to Latin America and recreated their shapes with commercial tobacco packaging from such global brands as Marlboro or Camel to the most popular Colombian brand Pielroja. The leaves made of the packaging material are lined up on a string as if they are hung out to dry as in traditional tobacco making processes.
© » KADIST
Karrabing Film Collective
The Mermaids, or Aiden in Wonderland by Karrabing Film Collective is a surreal exploration of Western toxic contamination, capitalism, and human and non-human life. Set in a land and seascape poisoned by capitalism where only Aboriginals can survive long periods outdoors, the film tells the story of a young Indigenous man, Aiden, taken away when he was just a baby to be a part of a medical experiment to save the white race. He is then released back into the world to his family.
© » KADIST
Karthik Pandian
Filmed in Morocco, the film Atlas by Karthik Pandian continues his investigation into history, site and monument. The film explores fundamental notions of movement, freedom and the cinematic imaginary through the figure of the camel. Rather than focusing on the Moroccan patrimonial landscape, which is itself full of simulations and fantasies conjured for the touristic imagination, Pandian shot the video in Ouarzazate, Hollywood’s go-to location to stage the desert — from Lawrence of Arabia to The Mummy.
© » KADIST
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” Chen’s series Collective Memories depicts some of the most important architectural works and urban sites in modern Chinese society, especially those related to the history of revolutions. Instead of reproducing the images himself, Chen invited the public to participate in their making by using their fingers to paint directly on the paper or canvas.
© » KADIST
Abigail Reyes
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture. Collaging together a chorus of subservient snapshots of women responding to an off-screen man with “si señor”, the accumulative effect of these spliced together scenes weighs heavy as the film plays on both humour and collective discomfort. In order to complete the work the artist watched hours upon hours of telenovelas, the impact of which on the collective consciousness is explored through her film.
© » KADIST
Andrei Monastyrski
The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines. While they resemble subway maps or star clusters, the lines mostly refer to ancient Chinese diagrams of Dao and inner alchemy. Both of the images are of undisclosed actions performed by Collective Actions on the field in Kyevy Gorky.
© » KADIST
Claire Fontaine
Foreigners Everywhere is a series of neon signs in several different languages. Named for Stranieri Ovunque, an anarchist collective from Turin, the work embodies and projects the ambivalence of their name into various sites and contexts. Lacking context, the neon suggests a factual statement, xenophobic threat, and evokes the estrangement of feeling foreign in a global society, a circumstance legible by the targeted populations.
© » KADIST
Bobo
Simon & Gus by Bobo is a binaural and fantastical artwork that tells the story of a sea steading maker-hobbyist as told from the perspective of an arduino board, and a mars dwelling stop motion animator as told from the perspective of a stop motion armature. The stop motion animator attends an artist residency on the red planet, and eventually sets out to start his own artist colony (a martian animation studio) with stupefying hubris. The result has disastrous consequences, with the martian ghosts eventually swallowing his soul, and his armature gaining full access to the animator’s motor skills and control of his ability to move.
© » KADIST
Humberto Diaz
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera. These are very successful in transcending the local into the global and/or universal. Memory, surveillance, and the routine and/or familiar, life in terms of both the political life and the social collective life shared by the constant reminder of the shut-off island psychological landscape.
© » KADIST
Humberto Diaz
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera. These are very successful in transcending the local into the global and/or universal. Memory, surveillance, and the routine and/or familiar, life in terms of both the political life and the social collective life shared by the constant reminder of the shut-off island psychological landscape.
© » KADIST
Santu Mofokeng
Mofokeng’s experiences during the turbulent time of the 1980s in South Africa led to a turn in his practice, opting to turn to the crowd, focusing on individual faces and bodies within the masses to tell a story of the collective resistance that is present in the daily life and surroundings of South African townships. “Miriam Maine’s funeral” urges the viewer to connect to the sadness that they are witnessing in the scene. Miriam Maine — the sister in law of Kas Maine a tenant farmer Mofokeng documented for historian Charles Van Onselen — was a respected member of the Bloemhof community.
© » KADIST
Jinoos Taghizadeh
Drawing & Print (Drawing & Print)
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.
© » KADIST
Jinoos Taghizadeh
Drawing & Print (Drawing & Print)
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.
© » KADIST
Jon Rafman
Advanced Technology (Advanced Technology)
View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive. In contrast with other recent works that aim to use VR or AR to visualize the impact of climate change, Rafman’s work instead presents the rising sea as an almost anthropomorphized foe, within which strange human-like bodies lurk as the viewer is swept into a kind of watery hellscape. This strong element of fantasy leads the viewer to wonder what type of wish fulfillment is at play—what desire for the museum to be inundated, for the existing social order to be washed away by the deluge?
© » KADIST
Joachim Koester
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years. While exploration was mainly a matter of geography during the 19th century, the 20th century brought the mental exploration of our unconscious, triggered by the discovery of psychoanalysis. Koester is interested in documenting minor events, forgotten by History, in order to reintroduce them into collective memory.
© » KADIST
Akiq AW
In the Family Portrait series, Akiq AW documents reliefs and statues in Jogja, Indonesia that present an image of the ideological nuclear family. Following Indonesia’s communal and political conflicts, and its economic collapse and social breakdown of the late 1950s to the mid-1960s, the second Indonesian President Suharto established the “New Order” regime. During this period, there were efforts to control the national birth rate through a programme called Keluarga Berencana (Family Planning).
© » KADIST
Nikita Kadan
Drawing & Print (Drawing & Print)
East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’. This region, in conflict since spring 2014, is where most of the charcoal is extracted. It is with this same coal that artist Nikita Kadan realizes this drawing in 2018, representing a field on which is juxtaposed a small photograph.
© » KADIST
Marie Voignier
Tourisme International was shot as the recording of a show on the scale of a country. In the urgency of perpetual travel, this tourist journey visits monuments, museums, institutions presented by North Korean guides whose voices we do not hear. Marie Voignier entirely redesigned the sound of each sequence in post-synchronization, making only the living experiences of footsteps and rustling of clothes audible, to create a new universe, disconnected from the official discourses.
© » KADIST
Slavs and Tatars
Wheat Mollah ( 2011) is one of Slavs and Tatars composite object. The title Wheat Mollah has various interpretations, from “master” or spiritual authority for Shiites and “friend” for Sunnis. The turban is also worn in a diversity of cultures and religions in Africa, Asia and India.
© » KADIST
Nikita Kadan
Drawing & Print (Drawing & Print)
Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example.
© » KADIST
Futurefarmers
In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977). PoT was an IBM sponsored documentary that visualized the relative scale and limits of the known universe, both macro and microscopic, through a sequence of magnifications by 10-to-the-x-power. Using the picnic as human-scale index, Futurefarmers capture their meetings with scholars through audio, photography, and then distributed the results publicly through a website and publication .
© » KADIST
Santu Mofokeng
Santu Mofokeng is a South African photographer. Mofokeng was born in 1956 in Soweto. He began his career as a street photographer when he was still a teenager, then worked as an assistant in a darkroom and later became a news photographer, working on the Apartheid.
© » KADIST
Santu Mofokeng
Santu Mofokeng is a South African photographer. Mofokeng was born in 1956 in Soweto. He began his career as a street photographer when he was still a teenager, then worked as an assistant in a darkroom and later became a news photographer, working on the Apartheid.
© » KADIST
Shimon Minamikawa
The painting Index (Tokyo) includes an image of a protest march in Japan. There is some humor in this image and also cultural contextual confusion and displacement, embodied in the painting. The protest we can see on the clipping is against two things : 1)recently the Japanese government revised the constitution (some say illegally) so that the right to collective self-defense is possible; this basically re-militarizes Japan ending decades of pacifism and this sparked the largest public protests in recent years and 2) the protestors are also marching against re-starting nuclear power plants in Japan post-Fukushima.
© » KADIST
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
© » KADIST
Oded Hirsch
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead.
© » KADIST
Daniel Gustav Cramer
Drawing & Print (Drawing & Print)
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials. The elements juxtaposed in each work operate like the lines of a Haiku. It is the tension between them that opens space for thought.
© » KADIST
Mladen Stilinovic
The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time. The installation is presented like a “parade of objects”, with images whose historical role has been suspended or their meaning has changed. The references have become lost, through repetition the works have become banal.
Naoya Hatakeyama
- location: Iwate, Nihon
- year born: 1958
- gender: male
- nationality: Japanese
Subas Tamang
Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...
Yin-Ju Chen
- year born: 2011
- gender: female
- nationality: American & Taiwanese
Wang Tuo
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Santu Mofokeng
The photographic artwork of Santu Mofokeng (b...
Nikita Kadan
Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...
Jinoos Taghizadeh
Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran....
Andrei Monastyrski
Artist, poet, writer and theoretician...
Camel Collective
Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program...
Marie Voignier
Marie Voignier’s work presents a subtle criticism of the transitory status of action within the social and political elds...
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Humberto Diaz
Context is everything when it comes to the work of Humberto Diaz...
Omer Fast
- location: Yerushalayim, Yisra'el
- year born: 1972
- gender: male
- nationality: Israeli
Colectivo Tercerunquinto
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
Christian Nyampeta
Christian Nyampeta’s works investigate how individuals and communities negotiate forms of socially-organized violence...
Brody Condon
Brody Conlon is an American (born 1974 in Mexico) based in Berlin...
Leonardogillesfleur
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b...
Mladen Stilinovic
Mladen Stilinovic is one of the most significant representatives of neo-avant-garde art in Central and Eastern Europe...
Lenka Clayton and Phillip Andrew Lewis
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
Joachim Koester
- year born: 1962
- gender: male
- nationality: Danish
- home town: Copenhagen, Denmark
Cauleen Smith
Cauleen Smith is an artist and filmmaker whose approach has been shaped by the discourse of mid-twentieth-century experimental film — including structuralism, third world cinema, and science fiction...
Guadalupe Rosales
Guadalupe Rosales is a multidisciplinary artist, activist, and educator...
Jonas Van and Juno B
Although Jonas Van and Juno B do not belong to a collective, this collaborative video reflects their individual practices and their complex subjectivities...
Aslan Goisum
Chechen artist Aslan Goisum’s work engages with memories–collective and personal, political and cultural–to unearth clues about colonial realities, how they have been endured, and how they might be undone...
Dennis Adams
Since 1998, through site specific works, often in public spaces, or video works, Dennis Adams focuses on ambiguous characters, condemned by our recent history, revealing traumas or collective amnesia phenomena...
Rossella Biscotti
Departing from social and political history, the work of Rossella Biscotti (b...
Heman Chong
- year born: 1977
- gender: male
- nationality: Singaporean
- home town: Muar, Malaysia
UuDam Tran Nguyen
- nationality: Vietnamese
Shimon Minamikawa
Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...
© » SOUTH CHINA MORNING POST
about 3 months ago (02/11/2024)
Photos of LGBTQ people in Hong Kong ‘playing it straight’ feature in awkward exhibition that challenges attitudes towards sexual minorities | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A photo featured in “Playing it Straight”...
© » ARTOMITY
about 3 months ago (02/07/2024)
ITALY: A New Collective Landscape at HKDI Gallery – ARTOMITY 藝源 100 Italian designers under 35 / ITALY: A New Collective Landscape Jan 19 – May 19, 2024 / Curated by Angela Rui / HKDI Gallery Hong Kong Design Institute 3 King Ling Road, Tseung Kwan O Northern Territories, Hong Kong +852 3928 2566 Wednesday – Monday, 10am – 8pm hkdi.eu.hk Fresh off its successful debut at Milan’s ADI Design Museum last year, the touring exhibition is on display at HKDI Gallery...
© » SLASH PARIS
about 4 months ago (01/03/2024)
Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Dislocations — Exposition collective Exposition Techniques mixtes À venir Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective Dans 4 jours : 16 février → 30 juin 2024 L’exposition « Dislocations » réunit quinze artistes, de générations et origines différentes (Afghanistan, France, Irak, Iran, Liban, Libye, Myanmar, Palestine, Syrie, Ukraine) dont le travail est marqué ou informé par l’expérience de l’exil, du déchirement entre ici et ailleurs, entre passé et présent...
© » SLASH PARIS
about 4 months ago (01/03/2024)
Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Dislocations — Exposition collective Exhibition Mixed media Upcoming Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective In 4 days: February 16 → June 30, 2024 At a time when international geopolitical developments are a palimpsest of times and spaces in crisis, The “Dislocations” exhibition brings together fifteen artists from different generations and backgrounds (Afghanistan, France, Iraq, Iran, Lebanon, Libya, Myanmar, Palestine, Syria and Ukraine) whose work is marked or informed by the experience of exile, of being torn between here and there, between past and present...
© » SOUTH CHINA MORNING POST
about 5 months ago (12/15/2023)
Year of the Dragon 2024: it’s not just Chinese who revere the mythical beasts – 4 other cultures that celebrate them | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from the Yellow Dragon robe worn by emperors of China’s Qing dynasty...
© » ARTSY
about 5 months ago (12/13/2023)
Ambera Wellmann joins Hauser & Wirth in new “collective impact” initiative with Company Gallery...
© » LENS SCRATCH
about 5 months ago (12/12/2023)
Collective Week: Kinship Photography Collective - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Collective Week: Kinship Photography Collective by Kassandra Eller December 12, 2023 ©Kimberly Anderson, We Still Have The Seeds In the past few years, the term artist collective has become common, especially in larger cities where hubs of creativity form...
© » ARTNEWS
about 5 months ago (12/12/2023)
Ambera Wellman Represented by Company, Hauser & Wirth in Collaboration – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All December 12, 2023 11:06am Séance Etiquette 2020, Ambera Wellmann, Oil on linen, 54 x 57 in...
© » HYPERALLERGIC
about 5 months ago (12/06/2023)
Sliman Mansour Preserves Palestinian History Through Art Skip to content Sliman Mansour, “Rituals Under Occupation” (1989), oil on canvas, 47 1/2 x 40 inches (all images courtesy Zawyeh Gallery and the artist) Nearly every day, Sliman Mansour makes the hours-long journey between his home in Jerusalem and his studio in Ramallah...
© » I-D VICE CULTURE
about 5 months ago (12/04/2023)
For Everyone Collective is a formerly incarcerated worker-owned brand combining design with community organizing....
© » MODERN MET PHOTOGRAPHY
about 5 months ago (12/03/2023)
Timelapse Captures How the Sun Looks During Solar Storms Home / Photography / Astrophotography Breathtaking Timelapse Captures How the Sun Looks During Intense Solar Storms By Regina Sienra on December 3, 2023 Ver esta publicación en Instagram Una publicación compartida por Miguel Claro Astrophotography (@miguel_claro) Solar storms are one of the most fascinating astronomical events...
© » ARTNEWS MARKET
about 5 months ago (11/28/2023)
Hauser & Wirth and Nicola Vassell Unveil New Partnership Model – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All November 28, 2023 4:00pm Amapiano Dance , 2022-2023, Uman, Acrylic, oil and oil stick on canvas in artist's frame, 62 5/8 x 62 5/8 in...
© » ARTLYST
about 7 months ago (10/11/2023)
In a spirited collision of art and activism, the Guerrilla Girls collective is set to ignite the Tate Edit shop.....
© » COUNCIL ART
about 14 months ago (03/01/2023)
A project that explores the concerns raised by collective practices today (2017–)...
© » TATE EXHIBITIONS
about 15 months ago (02/09/2023)
You Get a Car [Everybody Gets a Car]: RESOLVE Collective | Tate Liverpool + RIBA North See an exciting new installation created using material from Tate Liverpool Explore interactive installations created by RESOLVE Collective both in Tate Liverpool + RIBA North and just outside the entrance in the Winter Garden...
© » ARTS EQUATOR
about 17 months ago (12/08/2022)
Building Practice: Arts Spaces in Malaysia | ArtsEquator Skip to content The arts ecosystems in many parts of Southeast Asia are under-resourced...
© » ARTS EQUATOR
about 17 months ago (11/24/2022)
Echoes from the Stars: A Collective Map of Love, Memories and Regret | ArtsEquator Skip to content Jean Baptise Phou’s work My Mother’s Tongue began as a way for the artist to examine his relationship with his Teochew-speaking mother...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
In London, the name Max Mara means softly tailored camel coats, and marvellously wearable women’s separates....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Private art collections are notoriously secretive...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Record-Breaking âMarilynâ Warhol Brings Christieâs Sale of Famed Ammann Collection to $318 M...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
By collecting original works of art, these four have developed their own collective brand and have built relationships with other art collectors and celebrities that they otherwise would not have had....
© » ARTS EQUATOR
about 28 months ago (01/13/2022)
Critics Live (on Telegram! ): M1 Singapore Fringe Festival 2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien January 13, 2022 Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances....
© » ARTS EQUATOR
about 32 months ago (08/31/2021)
Bedside Banter: Cyril & Michael by Bridging the Gap Collective | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Bernie Ng August 31, 2021 By Naeem Kapadia (800 words, 2-minute read) Two strangers meet on gay dating app Grindr and share an encounter in a hotel room...
© » ARTS EQUATOR
about 39 months ago (03/01/2021)
How they got their stART: ArtsWok, Paper Monkey Theatre and Bhumi Collective | ArtsEquator % Thinking and Talking about Arts and Culture in Southeast Asia Articles March 1, 2021 In unprecedented times like a pandemic, artists, like everyone else, are focused on survival...
© » ARTNEWS RETROSPECTIVE
about 42 months ago (11/04/2020)
Curator Lauren Haynes Revisits ARTnews’s 1966 Profile of Spiral Group – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All November 4, 2020 5:15pm ©ARTnews I n 1963, 14 Black artists in New York formed the Spiral group...
© » ARTS EQUATOR
about 49 months ago (04/09/2020)
Reading in isolation: ‘Others’ is Not a Race and Interpreter of Winds | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 9, 2020 By Kathy Rowland (913 words, 4-minute read) Last November, when there was nary a thought for social distancing, and Corona conjured up visions of lime wedges and grimy bars, I reread Rex Shelley’s 1991 debut novel, The Shrimp People ...
© » HIGH FRUCTOSE
about 54 months ago (11/22/2019)
Kitt Bennett's "aerial mural work" was recently combined with satellite technology to craft the world's most massive independently created piece of "gif-iti" (or GIF-style graffiti) on 96,875-square-feet of waterfront space in Australia...
© » MODERN MAG
about 61 months ago (04/24/2019)
The annual Milan Design Week has long been the established benchmark of the industry...
-
1970-1979
Victor & Sergiy Kochetov
1978Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs...
-
1980-1989
Mladen Stilinovic
1985The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time...
-
1990-1999
Santu Mofokeng
1990Mofokeng’s experiences during the turbulent time of the 1980s in South Africa led to a turn in his practice, opting to turn to the crowd, focusing on individual faces and bodies within the masses to tell a story of the collective resistance that is present in the daily life and surroundings of South African townships...
Andrei Monastyrski
Drawing & Print
1992(Drawing & Print) Aktionsplan is a map of the field by Kyevy Gorky...
General Idea
1993AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Colectivo Tercerunquinto
Drawing & Print
1999(Drawing & Print) BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
-
2000-2009
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
Humberto Diaz
2002The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Dennis Adams
2002Observing the sky after 11 September 2001, Dennis Adams photographed elements which had been lifted by drafts and were floating above the city of New York...
Andrei Monastyrski
2006The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines...
Claire Fontaine
2006Foreigners Everywhere is a series of neon signs in several different languages...
Joachim Koester
2006Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Chen Shaoxiong
2006After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Colectivo Tercerunquinto
2006Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
Leonardogillesfleur
2006Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Edgardo Aragón
2007Efectos de familia (Family Effects, 2007–9) is a series of 13 videos that dramatize an array of abusive events derived from Edgardo Aragón’s family’s history—specifically its involvement with organized crime...
Jinoos Taghizadeh
Drawing & Print
2008(Drawing & Print) Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh...
Xijing Men
2008Welcome to Xijing – Xijing Olympics is the third of five chapters in the Xijing series...
Deimantas Narkevicius
2008The Dud Effect is a film that revisits the fear of nuclear attacks during the Cold War by staging the firing of a R-14 missile by a solitary soldier on the site of a real Soviet launch base installed in Lithuania...
Dinh Q. Lê
2008Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Humberto Diaz
2009The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Heman Chong
2009With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
-
2010-2019
The Propeller Group and Superflex
2010Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen)...
Yin-Ju Chen
Drawing & Print
2011(Drawing & Print) This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Natasha Wheat
2011Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Woto Wibowo
2011Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia...
Karthik Pandian
2012Filmed in Morocco, the film Atlas by Karthik Pandian continues his investigation into history, site and monument...
Futurefarmers
2012In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977)...
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Uche Okpa-Iroha
2012In the fictional narrative Plantation Boy (2012), Irhoa places himself inside imagery from Francis Ford Coppola’s seminal The Godfather (1972)...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Brody Condon
2012Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Minouk Lim
2012The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Köken Ergun
2012The Battle of Karbala was a military engagement that took place on 10 Muharram, 61 AH (October 10 th , 680) in Karbala, situated in present day Iraq, when Hussein, the grandson of the prophet Muhammad, was killed...
UuDam Tran Nguyen
2012Like many Asian countries, Vietnam has lost an immense amount of natural environment and rural landscape to economic growth and industrial development...
Nikita Kadan
Drawing & Print
2013(Drawing & Print) Ukraine is under tension due to the politics of President lanoukovitch since 2010...
Nikita Kadan
Drawing & Print
2013(Drawing & Print) Ukraine is under tension due to the politics of President lanoukovitch since 2010...
Jessica Warboys
2013The ongoing “Sea Paintings” series is central to the practice of Jessica Warboys...
Amapola Prada
2013In the video Unit/y we see Amapola Prada in the center of the screen wearing an oversized, worn out sweatshirt, socks and flip-flops—standing motionless on a dimly lit street in her native Lima, Peru...
McCallum + Tarry
2013In Endurance, 26 homeless youths stand still looking directly into the camera for an hour without speaking...
Marie Voignier
2014Tourisme International was shot as the recording of a show on the scale of a country...
Anna Boghiguian
2014In the painting called “The Consciousness of Memory, Time, and Guilt” as in many of her recent works, the body is fragmented...
Gilad Ratman
2014Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Reyes Santiago Rojas
2015The work Sarta (String) by Reyes Santiago Roja is part of a larger series of works that examine the commercialization of the tobacco plant and its relationship to the meaning and use of tobacco by Native American tribes such as the Mayas, Aztecs, Incas or Tainos, which attributed spiritual qualities to tobacco such as the smoke carrying one’s thoughts and prayers to the sprits...
Lola Gonzàlez
2015In Summer Camp , Lola Gonzàlez filmed a group of friends at the home of her parents in the department of Charente (France) in the process of transforming the house into a training camp...
Aslan Goisum
2015The video work Volga by Aslan Goisum begins with a sweeping field caught under a misty, gray sky...
Aimée Zito Lema
2015Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance...
Abigail Reyes
2016The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...
Yin-Ju Chen
2016Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
I-Hsuen Chen
Drawing & Print
2016(Drawing & Print) Part of the series Still Life Analysis II: The Island , the two photographs The Objects under the Civic Boulevard and A Yellow Blanket on a Wooden Pallet feature household objects of vagrants living beneath the Taipei’s Civic Boulevard expressway...
Mounira Al Solh
2017In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries...
Yao Qingmei
2017Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Urban Fauna Lab
2017Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
Kiri Dalena
2017Gikan Sa Ngitngit Nga Kinailadman (From The Dark Depths) by Kiri Dalena is a stylistically collaged film inspired by the true story of a young activist’s drowning...
Marlon de Azambuja
2017Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
Pak Sheung Chuen
Drawing & Print
2017(Drawing & Print) The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Camel Collective
2018Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Camel Collective
2018Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Karrabing Film Collective
2018The Mermaids, or Aiden in Wonderland by Karrabing Film Collective is a surreal exploration of Western toxic contamination, capitalism, and human and non-human life...
Jon Rafman
Advanced Technology
2018(Advanced Technology) View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive...
Nikita Kadan
Drawing & Print
2018(Drawing & Print) East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’...
Yin-Ju Chen
2018Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Cauleen Smith
2018Set to the iconic and spiritual music of Alice Coltrane’s Turiyasangitananda (1937–2007), Cauleen Smith’s film Sojourner travels across the US to visit a series of sites important to an alternative and creative narrative of black history...
Bayrol Jiménez
2018Sombras de los Valles (Shadows of the Valleys) is part of a series of works created by Bayrol Jiménez in which he is influenced by hand-painted signs and large billboards in Mexico...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
Cecilia Bengolea
2018Lightning Dance by Cecilia Bengolea is a black and white video that considers the relationship between extreme weather and the body...
Subas Tamang
Drawing & Print
2018(Drawing & Print) Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Subas Tamang
Drawing & Print
2018(Drawing & Print) Study of History III by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Subas Tamang
Drawing & Print
2018(Drawing & Print) Study of History V by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Christian Nyampeta
2018The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Jota Mombaça
2018The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens...
Ryan Villamael
2019Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
-
2020-2029
Daniel Gustav Cramer
Drawing & Print
2020(Drawing & Print) David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...
Prabhakar Pachpute
2020Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest...
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Subas Tamang
Drawing & Print
2020(Drawing & Print) Study of History VI by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Minia Biabiany
2020Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
Asli Çavusoglu
2020In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Pangrok Sulap
Drawing & Print
2021(Drawing & Print) All Nations are Created Special is a black and white woodcut print by the artist collective Pangrok Sulap...
Subas Tamang
Drawing & Print
2021(Drawing & Print) Masiniya Matawali by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Jonas Van and Juno B
2021Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
Kent Chan
2021Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
Lenka Clayton and Phillip Andrew Lewis
2022Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
Guadalupe Rosales
202290022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...
